Ahsan Manzil facts
Ahsan Manzil, also known as the Pink Palace, is a historic palace located in Dhaka, Bangladesh. It was the residence of the Nawab of Dhaka and served as the seat of the Dhaka Nawab Family. The palace is now open to the public as a museum and is considered one of the most important architectural and cultural heritage sites in Bangladesh. Here are some interesting facts about Ahsan Manzil:
1. Ahsan Manzil was built in 1872 by Khwaja Alimullah, a wealthy businessman and the first Nawab of Dhaka.
2. The palace was designed by a British architect, James Ransome, and is a blend of European and Indian architectural styles.
3. The palace is made of brick and covered in plaster, giving it a unique pink color that earned it the nickname "Pink Palace."
4. Ahsan Manzil had a total of 29 rooms, including a grand reception hall, a dining room, and private chambers for the Nawab and his family.
5. The palace was equipped with modern amenities such as electricity and indoor plumbing, which were considered luxury items during that time.
6. The palace was the center of cultural and social activities in Dhaka, hosting grand receptions and parties for the elite of the city.
7. The palace was nationalized after the end of British Raj in 1947 and was used for various government offices.
8. In 1984, the palace was opened as a museum and is now open to the public for tours. It showcases the history and culture of the Nawab era, as well as showcasing the lifestyle and culture of the elite during that time.
9. The palace is also home to the National Museum of Dhaka, which showcases the history and culture of Bangladesh.
10. In 2013, Ahsan Manzil was declared a UNESCO World Heritage Site.
Ahsan Manzil is a symbol of Bangladesh's rich cultural heritage and a must-visit destination for anyone interested in history and architecture. It is a great example of the fusion of European and Indian architectural styles and a testament to the grandeur of the Nawab era.
It is a great example of the fusion of European and Indian architectural styles and a testament to the grandeur of the Nawab era in Bangladesh.